The struggle most artists end up facing at some point is having a lot of paint and not knowing what to with it. Some may go with shoving it a bucket, or throwing them all on a shelf, or maybe just leaving random stashes of paint in every corner of every surface. The problem with these systems is that you have to almost completely undo them in order to find a certain paint or drag a surprisingly heavy bucket out and dig through it like a mole that just got pepper sprayed. Either way, the organization of your paints will never remain neat nor will it be easy to find any shade you want.
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If you have work in ceramics you almost certainly have had some glaze that doesn't want to work the way it says it does. Some glazes seem to be more prone to this than others, the blue glazes from AMACO Potters Choice Brush-on Glazes have been the most finicky and unreliable in my experience, and the AMACO Low Fire Gloss Glazes being the most reliable. But sometimes no matter what you do, they just want to turn out horribly. Here is what you can do when this happens:
If you find yourself in a rigorous art course (such as AP studio arts), you will at some point find yourself needing to turn something in when you have nothing. You can always take the route of turning in a half done piece but that is a highly frowned upon idea by most. So you are left trying to make an artwork in one night: go buy a stash of your favorite caffeine delivery device, start a non-engrossing TV show/YouTube series/podcast/music, find a work space where no one will bother you and force yourself to art. (Yes, art is a verb to me, if you have a problem with it go art yourself) These are some of the things I do when I am trying to meet a tight deadline. Since you are probably in a time crunch right now, I am going to keep this post fairly short, so here we go:
What is 'artist's block'? It is exactly what it sounds like: when an artist can't think of what to do next. Every artist will get it at some point, so here is how I get past it (as well as how some other artists get over it):
I have tried so many things that are labeled as sealers from art supply stores and they all had a two major things in common: They cost an arm and a leg and only last for two all over applications. As a broke person (like most artists) these were major problems for me. I needed to find a sealer that was cheap and lasts a long time. I tried pretty much everything I could think of and find easily. Here are my rankings from best to worst:
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Cinder Blackwater
An artist who is constantly looking for new things or new ways to use old things. Honest to a fault. As frugal as a broke college student. Individuals in the Creature Family
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